Showing posts with label art business. Show all posts
Showing posts with label art business. Show all posts

Tuesday, April 26, 2022

Shops

Having many shops has actually worked out quite well. Let me back up...
Once upon a time in 2020 I was all ready to set up my booth in Scottsdale when the show was shut down due to COVID. Yeah, I was IN Arizona, my hotel booked and pre-paid, trailer in tow...Ah well...the whole season done, successive shows canceled in the following weeks and I had a bunch of framed and matted stuff with nowhere to sell.



The strong survive and the clever adapt. That year I signed with Sellbrite, an inventory and online listing management software. I opened my own Shopify store now residing at 1000woodcuts.com, opened an eBay store cuz I love bargaining, started selling in Amazon Handmade and Google Shopping and of course, spruced up my Etsy shop. Also have Facebook and Instagram shops although they really just direct to Shopify.

Exciting!? Confusing?! Yep!!! but somewhat successful I must say. Sellbrite makes it all very manageable although it took me until the end of 2020 to set it all up. 

Just an FYI post. Here are the direct links:


Stay in touch!

1000woodcuts Website: https://1000woodcuts.com 
1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Wednesday, September 4, 2019

Ahhh, the tingling of waiting...the thrill of victory!

Two for two

Booth at Tempe long long ago
I made it into Tempe! One of my favorite show for sure and also one of the most grueling in terms of set-up and generally, appropriately nicknamed "the zoo."
But it all starts with a delightful anxiety burst. Application process is pretty routine, go to the Zapplication.org website, find the show as soon as it opens and apply as fast as possible. Why? you ask...well, as many other competitive shows, time stamp of application and especially of acceptance and payment are the key to a great location.

So I now have my first Fall schedule of my new and improved life as a festival artist all finalized. 
November 23 and 24 ArtFest of Scottsdale
Downtown Scottsdale Arizona


December 6-8 Tempe Festival of the Arts
Downtown Tempe along Mill Avenue, Arizona

Adrenaline rush!

This morning was the acceptance notification for Tempe, at exactly 10:00am Mountain (which by the way in Arizona is also Pacific Time since they do not observe Daylight Savings). Artists are instructed (twice) to await the magic moment while logged in to the Zapplication.org website, accept if invited, pay and fill out an acceptance form with a time-stamp that confirms you are a complete and hopeless art festival addict.
Heart beats just a little faster a the minutes and seconds tick by...tick tock tick tock...10 seconds and I'm feeling all tingly...3...2...1! REFRESH PAGE!!!! Oooh, I'm INVITED! Ooohh, no time to celebrate, click click pay pay click fill SUBMIT!!! All within 24 seconds har har, I'm awesome...

Lest you think that is a bit extreme, within one (1) minute, the much sought out corner booths are sold out. Another 10 minutes and the entire "A" section (most desireable in terms of location/sales) is sold out. Wheew...

Yay me! Now the next rush to reserve a nearby hotel, they tend to sell out within a week and I like to walk or bike to the show. Gotta go!
Beautiful downtown Scottsdale few years back


Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Sunday, July 14, 2019

A tiny festival? New works

Festival in the Pines

August 3-4 at The Retreat
(formerly the "new" lodge"
or The Resort, depending how old you are)
2755 Kyle Canyon Road Mt Charleston NV
Oh it's just a little one for Artisans residing in Mt Charleston Nevada or whereabouts. But I'm getting into matting a little, no framed works except 8x10s and just a few. Easy does it...I will be inside the lobby with my matted displays.

New stuff

Kind of getting into remakes of some older works, especially big ones that are near sold out. The online world is completely different from the "real" festival world,  in terms of visits, sales and resulting income. So we adapt to the little prints and some of my best selling works are getting "revisited" in smaller versions. Still original woodcuts as I am making some modifications and carving a completely new block or three, but smaller. The image is roughly the same.

Fun! Here is a tiny "Oculus" remade into "Fragile"

Print Title: Fragile
Paper Dimension: 10 x 10 inches
Image Dimension: 9 x 9 inches
Block: Cherrywood
Pigment or Ink: Gamblin and Daniel Smith
Paper: Daphne handmade
Edition: 100
Comments: "For all those born beneath an angry star
Lest we forget how fragile we are"
Those lyrics are from a Sting song, later I heard it by Jesse Cook. I am a loner and enjoy solitude but time and again I am reminded how very much I depend on and cherish connections with friends and family, however fragile they may be.
The image is a revisit of an early large print with some modifications...and a new tiny block of course.




Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Sunday, March 5, 2017

Artist Roles: Supporting My Art Habit

Roles of the Artist

In my view, the productive printmaker needs an outlet for created works. As you may know, my very favorite venues are art festivals. I have been an active art festival artist for almost 20 years! Through the years I have tried a variety of approaches to festivals, from going on the road almost full-time and attending 30 per year to a very comfortable 5-8 per year. Of those some are local but most are "the big ones," that is, well attended, well established, proven successful festivals.

Yeah...that was LAST year! This year I am attending a grand total of zero festivals. My first "year off" since I began this crazy adventure. Why, you ask? I have unfinished art projects every place I look in the studio. Carved blocks waiting to be printed, drawn blocks waiting to be carved, half-started books waiting to be written, new ideas waiting to come to life, this and that...
I am making a firm commitment to attempt to finish at least some of them, how's that for a hazy promise!

Sales Continue Online

But reality is that there are all those prints in my flat files and, after a busy festival year, some leftover matted and framed works begging to be shown. And so I turn to online sales to continue to support my art habit.
One art carrier at a time, I have been uploading framed works and blocks. Next week I begin with matted works.
To spur sales along, I will conduct a "special" each month. This blustery March I begin by offering either:
25% OFF with checkout code MARCHLION25
or
free shipping with code FREESHIPPING

My shop: https://www.etsy.com/shop/1000woodcuts




Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Tuesday, July 19, 2016

Some Festival Trivia

The Festival Life for Me

Upcoming! http://www.bellevuearts.org/fair/

As the story goes, I had a real job once! Armed with a Masters in Exercise Physiology and a lot of energy, I managed health education programs for a large insurance company and later for a rehabilitation facility. Then I started making art seriously and found myself enamored with the process of creating something from nothing. I struggled to take the leap into full time art because I liked helping people fix their aching backs, quit smoking, lose weight and manage lifestyle diseases. But I eventually couldn't stop myself from diving head first into the art world.

Once in art, I found that the "art scene" wasn't really my cup of tea so I kept finding ways to make myself fit in. Calls for entries helped build a nice resume of exhibits both in US and abroad; groups kept me motivated and involved with other printmakers. Then one fateful day, I entered into an art festival, a small local affair. I showed my artwork on clunky easels made with plywood; I shaded myself with an umbrella; I didn't sell hardly anything...but I was hopelessly hooked.
My "brag-wall" with mementos and awards from festivals

That was 1998, fast forward to now and I am planning a 1000-mile drive to Bellevue, Washington to participate in one of the most coveted art festivals in the West US. I have an indoor and outdoor setup, a modified truck to carry my wares and a trailer just in case I take off on a blissful two-festival run sometime again. The "good" festivals are few and far between and are competitive to enter so I am happy to travel wherever the collectors like to shop.
Kings Mountain Festival, California, they let you camp in your booth!


  • Thus far I have participated in some 200 festivals
  • Longest drive to a festival was 1300 miles one-way
  • Income lowest was $142, highest $12K
  • Longest festival 7 straight days, 10 hours each day
  • Worst experience in Scottsdale, Arizona, festival cut short one day, overcome by rain and wind, got caught in a desert flash flood on the return trip
  • Best experience in Colorado, a two-festival trip (Breckenridge and Castle Rock); between the festivals I stayed in a State Park campground where I was the sole happy camper aside from deer, elk, bunnies, birds and other forest dwellers

Sleepy booths in Fountain Hills Arizona

The Road Awaits

One of my favorite things about the chaotic festival life is traveling and seeing the great scenery go by. Desert, forest, mountains, farms, cities, rivers and railroad tracks...I become mesmerized by the getting there and the variety of things and people along the way. The first anxiety of a festival is getting to the destination in one piece with all my artwork and setup intact. Road travel is like a meditation, I love driving; I marvel at the fact that there is pavement between almost any two points in this vast country.
For my European friends, Vegas to Bellevue is about the distance from Barcelona, Spain to Hamburg, Germany, give or take a click.
Bellevue, Washington, here I come!
I took my Mami to a show and we took this pic in Nevada

Upcoming! http://www.bellevuearts.org/fair/

Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Wednesday, July 13, 2016

Work Between Festivals and BAM! Bellevue Here I Come!!

Bellevue Arts Museum

First thing is first, here is the official announcement:


And Now More Work...

One of the "bad" things about having a good festival is that I have to mat and frame more and more between events. And as my hubby likes to say "are you bragging or complaining?" Weeeellll...a bit of both I suppose (she says with a smirk).

Anyhow, upcoming is a first for me, the Bellevue Arts Museum (BAM) Art Festival and I am told it is a good one. I applied with figurative works so I have been working my fingers to the bone trying to fill my empty art containers (I'm just bragging now). 
But seriously! Usually I need a week of rest right after a festival to allow the bruises to heal, catch up on my sleep and generally go on "hermit mode" to make up for all that socializing. 

Some of the works going with me:
Baila, baila

Oculus

The web


All Those Details

Not this time, I am on full production mode and am about 3/4 of the way back to having a full truck. I also had to find indoor poles and lights and such minutia. The festival is not exactly indoors but under the protective roof of a parking garage so my indoor setup is the appropriate one. Which reminds me of the time I forgot my legs...well, not MY legs but the canopy legs! Yikes! I had to make do with some short poles cut off with a hacksaw at the last moment as the replacement for the bottom section of the leg poles. Sigh. 

All my indoor track lights got new LED bulbs to have more light with less heat and less amperage. Awesome. Indoor curtains (required division between neighbors) got a freshening up, as did my carpet floor covering. Business license for Washington...check! Extension cords...check! Reservations for halfway points (1200 miles one-way)...check! New banner and signage...check!
And the list goes on...now you know where I've been. Here's my new banner:


Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Monday, February 22, 2016

Ready for Oakland California! Inaugural Exhibit of the Peace Puzzle

Peace Puzzle Exhibit March 1 - April 30

Planning ahead to March 4th, save the date of the Opening Reception!
CreativeFramingOakland.com


Here is the announcement Peace Puzzle Print (plus!) 

This will be the first time the Peace Puzzle is shown. I framed all eight print panels and all eight blocks cleaned up and inked up and ready for an audience. Very excited to show this beauty and really looking forward to seeing it hanging up on a wall.

Aside from that, I will be showing a selection of my own work, always exciting! Will help hang all the work with the indefatigable Heather Piazza this coming weekend.
Week after that on March 4th, I will be back in Oakland for the Opening Reception and hope to meet some of the Peace Puzzle participants from California face to face. The adventure continues!


Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Wednesday, January 6, 2016

2016 is Here! Planning, Planning, Planning...

Left Brain Kicks In

This time of the year, I look at my new calendar straight in the face. Looking at the entire year at a glance can be daunting and really drives in the thought that time is short in this life and we may as well live, do, work, travel, and make art!
Being an artist this year began last year when I applied for some art shows and exhibits; the good ones always have applications well ahead of show time. 
Like a row of booths at sunrise, the year awaits to open...
And since I enjoyed my residency here so much, I also applied for a residency at a National Park. Applying is a game of chance; jurors like what they like and at any given time, luck may strike. I always tell artists to maximize their chances by putting their best foot forward every single time. Try, anyway. Reading applications and carefully following instructions to the letter makes me squirm, but that's how the game is played. 

Frames are on the way and preparations have begun for early March, when I have an opening in Oakland California for a month-long exhibit that promises to be awesome. Here is the information:
Peace Puzzle Print (plus!) 
Event On Facebook: Opening Reception for Exhibit 

Aside from art festivals and the occasional exhibit, I really don't do much more in terms of art networking. My personal business model is rather simplistic: make art, sell art. Sometimes I like to teach art. All the while my online shops seem to have gained traction at are now producing some (amazingly) consistent sales results. I guess persistence pays off.
Once the applications are out, I don't worry about them too much and crawl back into the magic realm of the studio. 

Right Brain Screams!

All the time I spend looking at calendars and filling out applications, my right brain is flying about...sometimes an endless glide over a canyon or an ocean, sometimes a frenzied bouncing like a pinball. Eventually, I have to release the unruly beast and get back in the studio. 
Entre Viento y Sol
This year I have some unfinished business with the desert, a set of 8 blocks that have been drawn for years are now, almost embarrassingly demanding my attention. Dutifully, I will carve. 
I am also feeling drawn to the figures in nature series again, with my figures reduced to tiny proportions surrendering humbly to the awe of Mother Nature. 
Fool on the Hill
Aside from that, planning what art I will feel like making next month is like planning to fall in love--just doesn't happen that way. Art, like love, just appears and flourishes at the will of some unknown and irrepressible force. I just let it take me.


Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Monday, January 5, 2015

Scrambled websites! My marketing manager has gone mad!

Wacky Web



Oh how things have changed since my first website! First of the year and I find out my marketing "people" (that would be me) have all gone totally mad. In an effort to streamline web presence and make my life easier, something I attempt to do at the beginning of each year, I have changed things around a bit. Here is the recap:

Website

http://1000woodcuts.com
Still there but the index page now redirects to my more dynamic blogger blog, which is easier to update on the go and provides me with a nice mobile alternative. According to stats, almost 70% of web traffic is now through mobile devices. Celebrate simplicity!

Links to various pages still work and I will endeavor to link to things from the blog (you are reading the blog, if you are reading this). The only thing missing right now are the Projects and the browsing galleries but my shop is just as good for that. I just don't have the time or brain power any longer to keep up with the latest web standards and such. Out with the old, in with the new!

Blogs, er...blog!

http://1000woodcuts.blogspot.com
Ay ay ay! Sometimes my manic phases really complicate my life, I blame "that other" Maria. To start this glorious year, I am hereby happily reduced to ONE blog. That's uno, un, ein...that's it. Sigh.

I nixed the artfestival blog, kaput, bye bye. I merged the former puzzleprints.blogspot.com blog into this one. Posts are indexed by category on the left navigation and so you can read all about puzzle prints by clicking on the puzzle prints category. And so on. I will try to do a better job categorizing stuff.

Facebook and Twitter and YouTube, oh my!

I'd rather be outside!
Various ways to connect have not changed, although I'm mulling combining my FB page and profile just as soon as Facebook allows such a thing. The 1000woodcuts follows me everywhere so I'm easy to find.
You can LIKE my page, FRIEND me (it's a verb, trust me), FOLLOW me on the tweety bird and SUBSCRIBE to my YouTube channel if you are into silly printmaking videos. I tend to cross-pollinate posts as I see fit and all my Facebook posts magically appear on Twitter without my intervention.
For direct messages or a printmaking emergency, Facebook or Twitter allow messaging and my annoying iPhone lets me know immediately when someone is knocking at my virtual door.

1000woodcuts Facebook Page
https://www.facebook.com/1000woodcuts

Maria's Facebook Profile
https://www.facebook.com/maria.arango.diener

Maria's Twitter Profile
https://twitter.com/1000woodcuts

1000woodcuts YouTube
https://www.youtube.com/user/1000woodcuts/videos

That's it! Here is to keeping up on the go!

Friday, March 1, 2013

Keeping Records Part II

As promised, database details to make you dizzy:

Database vs. Spreadsheet

The advantage of a database over a spreadsheet, as I said last time, is the "relational" feature that links all your data and the eternal flexibility for manipulating data. The software packages that I pointed out last time are really databases that have been fancied up to make data entry and retrieval easy for everyone.

But if you don't want to fork out any bucks, have a little time on your hands and like doing your own thing, a database is really simple to set up. Most of them come with templates that can be tweaked to taste for art record keeping.

The main advantage of doing your own thing is that it suits you perfectly and you can change things over the years as you evolve or devolve or whatever.

What can you do for me?

One example of features you gain by creating a database is the ability to "query" or ask it questions like:
-How many works did I sell to NEW customers on last year's Flagstaff Festival? (should I mail postcards or are my customers mostly tourists coming to the show for the first time?)
-Who has all my "Mountain Sunrise" prints and where have they been exhibited? (provenance)
-How many contacts did I gain on my Museum Show in 2004? How many are still receiving my emails and how many have bought something since then? (is it worth doing the show again?)
-Who of my Arizona customers has not bought anything in the last 5 years? (I can clean up my database that way)

You get the picture. Invaluable information if you are in the business of selling or exhibiting artworks.

Spreadsheet data, if you recall, is flat (see the link to a sample spreadsheet last post), although for just keeping artwork records making up a simple spreadsheet is exactly what I would do.

Guts of a database (or software) 

Database data is based on table-like-spreadsheets BUT the tables are "linked" or related to each other by one of the variables. Here is what my old database looks like:

I have three main tables: WORKS, CONTACTS, and SHOWS
There are other tables in there but they are auto-generated by the BIG 3 for various reports

Notice all those joining lines that go from one table to another, they link together works through the ID field with customers through the ID field. So at any point I can get a full report of where ALL my prints are, everyone of them, sold, given away, shown in a gallery, whatever. Also, when I enter a new customer, I just have a pull-down field with all my works so I don't have to write the print's name. And when I enter that work, the database automatically subtracts one print from my "prints on hand" field. Nifty huh? A lot of tricks like that are possible that make keeping track of everything and everyone related to the art business a snap.

The main way to input and keep data in a database is through tables, although with one click you can create a fancy input form to make the task more bearable:
Here you can see an entire record for a work called 1000 Years including where it was exhibited, how big the frame should be and whether I've taken slides (how OLD is this thing?) and uploaded to my website

The other two main features of a database is the ability to query (ask complex questions) as I mentioned before and the ability to export reports, fancy or not, to other programs like Microsoft Word (to send a mailing), spreadsheet (like an inventory of prints on hand) or your favorite mail program (to send an email to your customers) or to make a print info sheet or web page, pictures and all.

Anyhow, one point of this post is that, whatever method of keeping track of works, sales and contacts one chooses, the important thing is to put in good information so that good information can be reported. Accurate data entry is crucial, whether a ready-made software program, a simple spreadsheet or any other fancy way to keep records.

I happen to like tweaking my database endlessly, I have reports, resumes, lists of galleries, who sold what to whom in what event and so on. I enjoy the brain work of querying, making my database spit out fancy reports and formatted letters and so on. And I have now tailored my database to fit my business model perfectly.

This all sounds complicated when writing it down but really databases are just like the software described in the previous post. The advantage, to me, is that I can change things as I see fit.

Any questions? quiz at 11:00!


Thursday, February 28, 2013

Sample Simple Record Keeping

Sample simple...heh heh, couldn't resist!

Just a little while ago, my friends in http://barenforum.org were asking about record keeping for printmakers.
First you have to decide what sort of records you want to keep and make decisions on whether you want to keep everything integrated or just jot down information about each art work. You may want to consider keeping records on sales, gallery submissions and exhibits, works created, collector's demographics and, oh, so much more.

Here are some books to consider:

Indispensable! Constance Smith's Art Office, Second Edition: 80+ Business Forms, Charts, Sample Letters, Legal Documents & Business Plans (Art Office: 80+ Business Forms, Charts, Sample Letters, Legal)

Art Marketing 101 has pretty good info on what may be important down the road Art Marketing 101, Third Edition: A Handbook for the Fine Artist (Art Marketing 101: A Handbook for the Fine Artist)

Quite a bit of information about what galleries expect from artists in "Starving" to Successful: The Fine Artist's Guide to Getting Into Galleries and Selling More Art

Software

If you want to keep integrated records of artwork, collectors, submissions and exhibits (for example) you will need integrated software. There are various out-of-the-box choices on the web, all of them seem adequate enough, these are the ones I have looked at:

ArtWork Archive
http://www.artworkarchive.com/
Seems pretty cool with many features, great feature is online backups, drawback is "revolving" charge which I'm allergic to big time. But all in all a very complete package.

Working Artist
http://www.workingartist.com
I have not downloaded and tried this one but the features are there and the price is right. More features than the previous and really an affordable solution. Another advantage is they have been around for a while and upgrade as needed so you won't be stuck with an obsolete software (I have seen many others come and go).

Art Systems
http://www.artsystems.com/
If you can afford this dawg or if you manage a gallery or a group of artists, go for it. I don't think there is a feature that this doesn't have and I based my own database on their screenshots. I think about forking out this much money but I can always think of how much paper I could buy instead.
Still, all in all, a great software package now with cloud backup and all the bells and whistles.

But what about FREE?

Well, there's the do-it-yourself approach. At first any record keeping will do, but a spreadsheet is eternally malleable and can be exported to databases and practically any software. I started out with a simple spreadsheet based on what items I wanted to keep records for each of my prints. Here is a sample that may look familiar from Baren exchanges:

But I also want to know where my prints are located and other things, so here is a sample spreadsheet that I created in GoogleDocs based on that information:

As you can see, you may want to add to the print information where you physically keep the prints and any images you have online or stored locally. Any other tidbits of info about each work can be added as you need to by adding a new column.
A simple spreadsheet is a good start for any printmaker, they are easy to use and, as I mentioned, very flexible when upgrading to something better. Not that there would be a need to upgrade. If you get handy with spreadsheets, you can filter records (for example to view only woodcuts, or only woodcuts created in 2005, or whatever). You can also merge the records with a program like MS Word and create print info sheets like the one above.

But a spreadsheet has what's called a "flat" file system. For record keeping and integrating with other spreadsheets, exporting reports such as gallery entries and artist resumes...well you really need a database. Since you're probably sleepy by now (I know I am), next post will outline a simple database, features of a database and how to create one that tells you stuff you may want to know about your art records.

I have most of the books that come up in that search but I just saw a new one! I better get it, can't read enough about this stuff.

Wednesday, February 8, 2012

North and South again, all ends of the continent

Terry Sargent-Peart from Seattle Washington USA

I love the cyclist, very nicely done!

And Rachel Midori Sugo Miyagui, another of our Brazilian contributors from Santos, Sao Paulo, BRAZIL


***********
The Tedium Report
As in anything in life, the more I do something, the better I get at it. All the hard work that it takes to unwrap, photograph, document and publish one of these contributions has made me a better photographer, more efficient record keeper and more proficient blogger. See? Every project is either a lot of work or a learning opportunity.

Also some of you have mentioned that I am disgustingly organized... well yeah, proudly so! It would be impossible to keep track of 114 city blocks otherwise so every tid bit of information is carefully recorded in an Excel spreadsheet.

From that wonder-program I export the mailing list in order to keep bugging everyone with my nonsensical blabber (a.k.a. updates). Also from Excel I can export to mailing labels for shipping (MS Word), to my web developing program (Adobe Dreamweaver) for web-page updating, and later to my publishing program (MS Publisher/Adobe Acrobat) for assemblage of the colophon.

Amazingly enough, I am old enough to remember the days when a program disk had to be inserted into a computer with 64K of memory and swapped with a data disk for periodically saving work.
Amazing, everything about technology is magic and amazing.

Carry on now...news on the printing party to come later.