The transfer method I used this time involved this waxy paper called "studio paper" available at www.imcclains.com Worked like a charm! I have used wax paper and laser transparencies (on an ink jet printer) before and this Studio Paper gives about the best results.
I simply sized half the sketch to the block size, then split into 8.5" x 11" chunks to properly print on the wax paper. Since it is translucent, it is very easy to line up the pieces to transfer the whole image. No press needed, baren pressure is enough to achieve a crisp, detailed transfer.
So today I transferred my first carved block onto the second. I am using Shina Plywood, which is fairly soft and thought maybe I could get a pretty good transfer with one light pass of the press. But just in case, I first printed a couple of good prints onto tracing paper. If my block-to-block mirror transfer failed, I could always paste the tracing paper on the mirror block and proceed.
Lo and behold, perfect transfer on the block! A few low spots, expected since I didn't want to use high pressure. But it is all visible, details intact, no indents, lined up perfectly and ready for the knife.
This is what the final image will look like:
yummy! but I still need to name it! suggestions?
mirror mirror...
booktowebtobook
it's all good
the more you know...
(those are all lame)