Showing posts with label barenforum. Show all posts
Showing posts with label barenforum. Show all posts

Tuesday, May 30, 2017

Coordinating a Printmaker's Exchange

Addicted Collectors

Printmakers have traditionally exchanged prints since the dawn of printmaking. The fact that fine prints are produced in multiples leads to the side-effect that we enjoy sharing those extras with each other. 

As you may know, I am one of the fearless leaders of the printmaking group barenforum.org. We conduct quarterly exchanges and we are now on our happy 73rd exchange! I proudly own thousands of prints from all over the world.

Some of the prints from Exchange #72, Theme "Wings"

Bea Gold

Julio Rodriguez

Lindsay Schwartz

Martha Knox


Exchange Coordinator in Pictures


Coordinating requires some organization and much patience, here are the tasks:

-Communicate with 30 printmakers and crack the whip as the deadline nears
-Keep track of drop outs and problems
-Gather 30 sets of prints that come in the mail along with envelopes and return postage
-Collate sets of prints
-Print an information sheet with info for each print as sent by the artists and insert in each packet
-Mail the sets back to each artist
Sorted piles and cases ready

My two printers jammin...er
I mean, printing in sync

A finished set with information sheet in back,
Right hand is the spreadsheet that keeps me sane

Red line means DONE!

A little trip to the Post Office, always fun...


Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Friday, April 21, 2017

The case of the case

A little something for my Baren friends

I am coordinating Barenforum.org's Exchange #72 and decided to make some glorified paper holders for my fellow printmakers. This way all the prints are nice and neat in a "keepable" folio. Why not?!
Incidentally coordinating an exchange is most exciting and probably a lot of work but the good kind of work. The coordinator gets to see all the images first hand and often gets extra prints and cool cards and notes along with the prints. 

Anyhow, here is the case construction in pictures for anyone who wants to make their own. I got the design from a book-binding book I own (one of many) and modified it to hold the 30 prints of this exchange.

neat linen paper

start out with clean sheet

a couple of prototypes

winning design cut in matboard
serves as a template

31 times cut along the border
cut pattern

few folds with a bone folder

folding

all ready to glue

I buy glue by the gallon!

some inserts to stiffen up the folder

covered up in matching paper

burnishing with bone folder

back finished

another insert for the front flap

brushed glue with sponge brush

folded and burnished

inner pocket for the prints

final touch!


Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Friday, October 14, 2016

A little wood engraving

New wood engraving

Out of this picture...
...a wood engraving is born!
We take the pibble-dog walking every night (and every day, and every morning...sigh) and it is now duskish-to-dark right after dinner time. I caught this feral en route to our feeders, no doubt, resting peacefully in front of my neighbor's gate. Cool, huh?
I thought so...so much that a print started rummaging through my scatter-brain. That's pretty much how they ALL start, in case you wonder.

Here is my work in progress. As you can see, I flipped the image and accommodated for the elongated paper size. Aside from that, the process of drawing simplifies the details and the process of carving even more so. What is left is the gist of the image, translated to woodcut-speak or in this case, a wood engraving. 

I am using http://www.imcclains.com/ Resingrave. Resingrave is a synthetic resin plate made specifically for wood engraving. Takes ink well, gives very detailed prints. Only drawback is sometimes the edges of a carved line can crumble a bit under a larger tool's pressure so caution is needed when clearing out large areas.
More progress, some proofs and perhaps some paper notes next post, next week.
Engraving on Resingrave, resting on home-made leather support
Also shown some tools, a sharpening stone, and honing plate
So far, so cool... 

Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Tuesday, August 30, 2016

Tribute to barenforum.org

"We must, indeed, all hang together,

or most assuredly we shall all hang separately."

Printmaker Benjamin Franklin

Between traveling to festivals, making art, destroying my bathroom (see my facebook page), smelling the pines and all other activities that compose my very busy life, I delight in participating off and on in this rare creature we rare birds collectively call "baren". I just took great delight in catching up some of the online galleries of prints provided by the membership.

Baren or barenforum.org, is a loosely organized web-group of woodblock printmakers founded with these words: Chromoxylographers of the world - Unite! uttered by David Bull, our very energetic founding "father." His website can be seen here: http://www.woodblock.com/




See the info page here: http://barenforum.org/intro.html
Mostly we are a bunch of artist-printmakers who delight in the woodblock/woodcut process and enjoy exchanging prints. We (about 400 of us give or take at any point in time since 1999) have now exchanged prints 69 times and any one of us owns an astounding collection of more than 2,000 prints from artists all over the world.

We do this simply for the love of art, woodblock and each other. Many friendships have formed, many colleagues have come and gone, many side projects, some reunions, collaborations, exhibitions, a Facebook group, always the forum...list goes on and on.


Print Exchanges http://barenforum.org/exchange/exchanges.html

Aside from the exchange of ideas and images now taking place mostly in our Facebook Group https://www.facebook.com/groups/121864389055/ 
the highlight of our happy barenforum.org group has been the exchange program. We basically sign up, we make as many prints as we have participants and we all end up with a nice portfolio of woodblock prints from all over the world. We do this stubbornly again and again since 1999, four times a year.

Some wise quotes by our members:
"Honest effort and honest communication, that's what counts;
given that, anything goes." - [Baren] member Bill Mixon 
"It's in the doing that questions are answered." - [Baren] member Phil Bivins 
"Cut! Print!" - [Baren] member Dave Bull 
"If you like doing something, isn't it better if it takes a long time?" -
[Baren] member Dave Bull 
"Jûnin Tôiro (Ten People, Ten Colours)" -
Japanese proverb 
"... I consider this discussion about ... what art is, appropriation, editioning, if digital prints are or not fine arts, the deathly sin of using a laser or any other modern tool, etc. ... a delightful waste of time." -
[Baren] member Horácio Soares Neto

Again, here are the galleries of prints, we hope you enjoy browsing:
http://barenforum.org/exchange/exchanges.html

Stay in touch!

1000woodcuts Facebook Page: https://www.facebook.com/1000woodcuts 
Maria's Facebook Profile: https://www.facebook.com/maria.arango.diener 
Maria's Twitter Profile: https://twitter.com/1000woodcuts 
1000woodcuts YouTube: https://www.youtube.com/user/1000woodcuts/videos

Monday, January 12, 2015

Puzzle Project History: The beginning at barenforum.org

The First Puzzle Project 2004

Current project open for enrollment! 



Just how did these fantastic projects
start? To answer this question, I had to go back to long lost archives and investigate what on earth prompted me to launch the very first Puzzle Project.

Puzzle Project #1: What is Baren? A puzzle By Its Members was Started June 2002 and finished January 2004. Two cherry plywood blocks, each 21 x 27.5 inches (53 x 70 cm) were used to print the two-panel print, each panel 22 x 30 inches (56 x 76 cm) on Rising Stonehenge Cream paper.

In the beginning there was an email posted to the humble and everlasting Barenforum (http://barenforum.org), a group of online printmakers that insist on exchanging prints year in and year out. Barenforum specializes in woodblock and woodcut prints with all their variations. Much more information and definitely an invitation to join Barenforum can be found on the website, appropriately named barenforum.org.
In June 2002, I sent out this message:
Went for a bike ride this morning, this being relevant only because the ride sent endorphins flying all over my brain. Endorphins, as you may know, are natural opiates which produce a gentle high (although in my case, maybe not so gentle?) and unbound amounts of energy. SO! I had been thinking about a collaboration project for a while and I think it is about time we do something extraordinarily fun!”

Details of the project followed. I was pleasantly surprised at the warm welcome that the project received. Even we over-confident and reckless folk have sinister doubts at times (what if you hold a puzzle project and nobody signs up?).
Well, people did sign up, 44 printmakers played the first puzzle game, What is Baren? A Puzzle by Its Members. This first one was in the simple shape of a spider web, a visual pun on the World Wide Web, which is how a group of printmakers manages to exchange art and vast amounts of information with one another.
I learned a ton of practical know-how as I put together the puzzle and tried to print 44 different styles placed closely together. Printing a diverse variety of images millimeters from each other was akin to setting the watering schedule for sage brush, roses and a mature pine tree all on the same watering station. Someone is going to be thirsty and someone will get overwatered!
Nevertheless, my good friend and expert printmaker Barbara Mason (http://www.barbara-mason.com) flew all the way to my humble studio to lend a hand. Together we printed the Baren Puzzle Project and unknowingly attended the first puzzle print party. As I watched the unexpected and wonderful result of our collective efforts, I realized that I might just have to make another.
The official First Puzzle Print Party with Barbara Mason

The thought that I could gather a bunch of strangers from all over the world and coerce them to come together and manufacture an artistic creation still baffles me to this day. And, of course, the concept itself, a collaborative project among people that probably will never talk to each other in person resulting in a perfectly balanced artistic composition, is still a bit of a mystery.
The name Monumental Collaborative Puzzle Prints was suggested as a name for the projects, a bit tongue in cheek, by one of the recurrent participants. Lest someone thinks that I take myself too seriously, I have to mention that the hyperbole is merely meant to amuse.

Art makes us do strange things and the amazing puzzle prints that come to fruition continue to tempt me to this day to start a new adventure just as soon as the ink dries on the last. And so there was another project already in mind as soon as the first one was mailed away.
Many of the initial brave printmakers are still participating in my nutty projects. Some have gone on to better and bigger, or at least, other things. Sadly, some have passed into the realm of fantastic gardens, and I cannot help to be aware of how friends come and go and how fleeting it is, the here and now. More the reason, the way I see it, to live life to the fullest.

Current project open for enrollment!