Monumental Collaborative Puzzle Print #3 is in the works

Announcing Monumental Puzzle Project Numero Tres!

EVERYONE INVITED! The City of the World shall be built in 2011!!!

Sign up is open now until end of January 2011. Deadline for returning a very small carved block is December 2011.

Information page: http://1000woodcuts.com/projects/cityoftheworld/index.html

As the page says, monumental puzzle projects are a collaborative effort among printmakers world-wide to compose an awesome print with little effort on the part of each printmaker.

Basically, each printmaker receives a smallish block of wood which fits neatly into the overall puzzle design. Each printmaker carves their block, returns to the coordinator and receives in turn a huge print containing the creations of printmakers from all over the world.

All the gory details on the page above. This time, in a fit of insanity, I am extending the invite to other groups so if you have your own group of printmakers, everyone is welcomed.

Once more, the information page outlines requirements, sign up form, and all the details.

http://1000woodcuts.com/projects/cityoftheworld/index.html

For those of you who have never done one of these before, here are the pages from the previous Monumental Puzzle Projects:

The Baren Puzzle #1 http://1000woodcuts.com/projects/puzzle/project.html

The Great Baren Cairn #2 http://1000woodcuts.com/projects/cairn/index.html

Pssssssssst...tell a friend!!!

Progress on the Geographical Divides collaboration

I am working with another printmaker on a collaboration piece, actually two. She starts one and I add to it and then she prints, and I start one, she adds to it and then I print. Then a bunch of us exchange prints. Kind of cool. I have reported before that I'm doing a puzzle print and you can see the progress of all of us here:
http://geographicaldivides.blogspot.com/

Things are quietly moving along with our happy creation. My partner in printmaking and I chose to do something along the lines of the dichotomy between rural and urban, generally speaking.
Lynn lives on the outskirts of the city and enjoys rural views from her urban digs. Maria lives smack in the middle of the city (formerly the outskirts!) in an acre with plenty of "elbow room" between neighbors, neatly simulating a tiny rural environment.
Anyhow, Lynn is in possession of my puzzle blocks and I am about done carving my part on my own block, plus the four pieces. I might do a color background on the...er, background, but that is to be decided.

In the meantime, I received Lynn's block, neatly carved with a variety of interesting images and shapes.

This is a proof of the block, with my "blank canvas" at the bottom. I really liked the roof shapes and the shape of the vegetation-divider in the middle of the image, so I decided to replicate them.

Since I don't often sketch except right on the block, I had to revise the way I work. I took this very picture into Photoshop and proceeded to doodle on the bottom with my trusty graphic tablet pen.
I wanted those very interesting shapes to tie in my design and Lynn's so I simply copied and pasted some of her shapes with some stretching and replicating and mirror imaging and all that is possible with PS.

I find that looking at images very small on the computer screen helps balance compositions and blacks and whites. Also help in color schemes.

Lynn's rooftops became my mountains, the little house in the middle of the desert was "stolen" from Lynn's housing complex, the horses shrunk to fit the scale, and the bushes flipped and distorted to fill in the foreground and balance the blacks.

After a few days of looking at the thing, I came up with three very close versions of what I wanted to do. Since Lynn chose to depict the urban environment with a little "rurality" for contrast, I chose to do just the opposite. Here are my sketches, you can play "find the differences" if you like. We decided on No.3 and I'm carving today as soon as I get off this chair.
The carving begins!

Cairn on the wall

I got this far with the Cairn... The plan is to cover it with plexi mounted with mirror clips when I get permission to climb the heights again.
It looks like Lynita and I had similar ideas, but she is obviously (from the looks of her studio) much better organized than I!

Sharri LaPierre

Cairn 2008

What did you do with YOUR Cairn?

I'm taking my Cairn on the road to show off all my Baren friends to my workshop attendees this next weekend at the Goldwell Open Air Museum.

Should be a nice way to expose new initiates into the woodcut art to a variety of carving styles and, at the same time, smaller image suggestions.

Here is what Lynita Shimizu did with her Cairn! I cracked up...

Check it out at the project page and send me your images of the Cairn, framed, shown, exposed...???

I got my plexiglass and will be sticking mine on the ceiling also; then I can see everyone while I work.

Is everyone ready for the next Great Puzzle Print?

Cairn grows again! Middle block is done, Days 4-6

Well here we go, another three days and another block is printed.



The whole is looking awesome and my studio really stinks now with all these prints hanging, not even the cats want to be in there. My husband opens windows and turns on the fan as soon as he gets home; there is really no appreciation for the delightful perfume of oil based inks...ahhhhhh...



Looking forward to block number 3 and finishing.



Today I ordered the free domestic mailing tubes from the Post Office and bought some for my international friends. Should be able to mail next week if I work through the weekend!

Baren Rock Pile Grows! Day 1-2

(Well, I tried to add pictures today but Blogger isn't cooperating. Go to the webpage for the illustrated version!)
First block is proofed, printed, hanging, drying...oh joy!
The Great Baren Cairn is now well on its way to being completed.
For those of you who need a refresher, here is the page on my website, soon to be updated with all the gory details:
http://1000woodcuts.com/projects/cairn/index.html

Every good rock pile must start with a solid foundation, so I printed the bottom block first. The "makeready" part of printing these puzzles is a bit complex. Summarized, the process goes something like this:
-level blocks "dry" (without inking) and glue to the backing board to hold steady
-proof and tweak any obvious low blocks or low spots
-proof again
-carve away inked spots not on images, usually backgrounds or edge of blocks
-proof again
-ink the darned thing and get in the "production mode" mood
-repeat to taste until done

Well, one major adjustment I had to make and need to report. The initial plan was to provide every participant with 2 complete sets. Unfortunately these cherry plywood blocks didn't hold up to that. After having to repair several areas several times and watching the edges of some blocks go "soft" on me, I decided there was no possible way to get more prints out of the bottom block. With 79 participants and 96 good prints, this means only one set per participant. Live and learn!

Anyhow, the bottom block is done and I'm progressing to the middle block.

Woodcut puzzles

There's an activity I engage in every couple of years or so, and that is to bring printmakers together to make a print. These collaborations baffle those who know me as a loner, but nevertheless, they continue to fascinate me.

The procedure is simple, take a block of wood, draw something, chop it up into pieces and send the pieces to the various participants. Each woodcutter cuts their piece of wood and sends it back to me, I put it together, print it and send the completed prints to everyone.

IN progress is the Cairn, information is here:
http://www.1000woodcuts.com/projects/cairn/index.html

Completed is the first puzzle, a Web:
http://www.1000woodcuts.com/projects/puzzle/finalimage.html

Undoubtedly, there will be more...