Here is the printed iron-on transfer stuff. The printout showed all of the fine detail with very good contrast so I was encouraged.
The detail of this transfer was probably the best of the three because of the high contrast.
The detail of this transfer was probably the best of the three because of the high contrast.
Bring on the heat! I used an iron that's perhaps older than me...well, maybe not. This method needs a high heat setting and no-steam setting. I keep this old fashioned plain iron in the studio for just this type of project.
It takes some pressure and quite a high setting. My mini-iron (used for crafts) did not work; had to be a full-size iron.
It takes some pressure and quite a high setting. My mini-iron (used for crafts) did not work; had to be a full-size iron.
The process of transfering with this method also "tanned" my block so no tinting would be necessary later.
The drawback is that the transfer is a rubbery ink designed for t-shirts, so there is quite a bit of relief that transfers to the block. It scrapes off easily enough, but it does transfer a film of rubber all over the block, even the white parts. I carved a little on it and the film comes off fairly easily by pulling it up without damage to the block.
Here is the enlargement of the transfer printed and on the block:
On to transfer number three, the hanshita.
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